Panasonic Lumix DMC-TZ5 -
- Written away
Presentation
The Panasonic Lumix DMC-TZ5 was proclaimed in January 2008, on the dot one year after its predecessor, the enormously prosperous Lumix DMC-TZ3. The earlier TZ3 was arguably the perfect travel camera, a pocketable clay-like which managed to squeeze in nothing to a lesser degree a 10x optical rapid growth lens complete with figure of speech stabilization and a generous 3in sort. It was same of our favourite compacts of 2007, with pride of place in our Best Buys section and a justified best-seller.
The new Lumix TZ5 doesn't mess overmuch with a winning formula. IT keeps the same 10x stabilised whizz along with its useable 28-280mm equivalent reporting, simply in a move which will delight many photographers, has reinstated the ability to optically zoom the crystalline lens while cinematography videos.
Speaking of videos, the earlier TZ3, corresponding other Panasonic compacts, already conspicuous decent options including a genuine 848×480 pixel widescreen mode. Just the new TZ5 ups the ante with the power to record high definition video at 30fps in the 720p format – that's 1280×720 pixels – and there's also an optional component television cable's length for connectedness to HDTVs.
The screen out remains 3in, but the resolution boosted from 230k to 460k pixels. This may not be Eastern Samoa detailed A 920k displays with 640×480 pixels, just still represents a middle-way point betwixt then and 230k screens. You can also now have euphony to attach to slideshows.
Like its other 2008 models, Panasonic has also furnished the TZ5 with its latest Intelligent Auto mode which combines a add up of new and existing technologies to detect scenes, motion and adjust the sensitiveness equally required. This also includes Panasonic's own take on the dynamic range boosters seen along some late DSLRs which reduce the exposure to preserve highlights, while brightening shadow areas. Interestingly Panasonic does this by actually adjusting the sensitivity in different parts of the sensing element.
Which finally brings us to the sensor itself, which inevitably has an increase in resolution. Since racket was already an issue with its predecessor, it would be too much to hope that Panasonic ready-made bettor use of its light gathering power, but of track selling strategies dictate more Megapixels, sol the 7.2 Megapixels of the earlier TZ3 have been increased to 9.1 on the new TZ5.
Interestingly like its predecessor, there's actually a higher resolution sensor in the body – a 10.7 Megapixel chip in the case of the TZ5 – only Panasonic only uses a little portion of it. This allows the tv camera to cleverly maintain its coverage across wider face ratios.
 |
And so by adding HD video, a more detailed screen and a cunning machine mode to what was already a winning model, has the scoop rightful got better? Or has Panasonic scored an own-goal away unnecessarily increasing the resolution and further yielding low dismount performance? Watch in our Panasonic Lumix DMC-TZ5 critique where we'll thoroughly test its image superior and the new features, while comparing it against its predecessor and rival models. And as always, for a demonstration of its key features, check out our Panasonic Lumix DMC-TZ5 video tour.
Mention: Panasonic launched the Lumix TZ5 aboard the slightly bring dow-end TZ4. The TZ4 is identical other than having 8.1 Megapixels, a 230k 2.5in cover and no HD recording facilities. Also note the Lumix TZ5 is known every bit the Lumix TZ15 in Asia, Australia and New Zealand; both models are identical other than the distinguish.
Panasonic Lumix DMC-TZ5
Source: https://www.cameralabs.com/panasonic_lumix_dmc_tz5_tz15/
